Utah Blues Festival 2018 • Saturday June 16th, 2018
KIDS 12 & Under are FREE!
This event is 100% Non-Profit
ABOUT THE UTAH BLUES FESTIVAL
Salt Lake City's Largest Gathering of Blues Fans!
The 4th Annual Utah Blues Festival (#UBF) is the signature fundraising event for the 501(c)(3) non-profit, the Utah Blues Society. It will be held on Saturday June 16, 2018, at the Gallivan Center in downtown Salt Lake City.
This is the only Festival in Utah solely dedicated to increasing awareness of a uniquely American musical/cultural art form – Blues music. This festival connects Utahns to a musical genre that has used the American experience as its voice – the Blues! By showcasing national and local Blues artists, as well as a Youth Showcase and Workshops, the UBF will provide a unique experience for Utahns to meet and connect around this culturally important musical art form, the foundation of all other American music to follow. Learn more about the history of the Utah Blues Festival (plus see some great past festival photos!).
Utah Blues Festival
June 16th, 2018
11:30AM – 10:00PM
239 Main St., Salt Lake City, Utah 84111
Rick Estrin & the Nightcats, Ft. Kid Andersen
Danielle Nicole Band
Christone “Kingfish” Ingram
Sarah DeGraw & Tony Holiday
Utah Blues Society Youth Blues Showcase
Tickets Available: (Kids 12 & under are FREE)
$30 Early bird | $42 General Admission (Early Bird Discount Ends May 31)
$88 VIP Admission (SOLD OUT)
5 Food Trucks
Arts & Crafts Village
Free Music Workshops
Utah Blues Festival Reviews
The Soul of Salt Lake. One of the greatest parts about the Utah Blues Festival is that it’s a fundraiser for the Utah Blues Society and Blues in Schools which provided needed funding to cover costs such as student sponsorship and in-class learning materials, as well as helping to raise awareness for local and aspiring blues musicians. Best of all, the venue allows audience members to have a better chance to see the musicians play up close.
Join us Saturday for one of the best festivals of the year!
Salt Lake Tribune
Dedicated to the blues, local aficionados revive Utah festival. [The] Utah Blues Festival acts entertain crowd of music lovers
This was truly the place where my dad and I felt like home. Great music great food and great people. Jordan young’s life by the drop acoustically. I almost cried. So amazing. Can’t wait to be there this year. I love the blues and the Utah blues society.
By far one of my favorite annual music festivals in the 801 nothing beats live blues, great food, cold beers and happy people. Can’t wait till UBF 2018 keep up the great work Utah Blues Society
Great line up , great food and great crowd you must go to this next year not to be missed, and thank you to all the volunteers it was truly wonderful!
Festival Pre-Party | JUNE 15 @ The State Room
Festival Schedule | June 16
Main Stage Schedule
Utah Blues Festival Schedule
Tony Holiday and The Velvetones are full of blues goodness with a bit of a southern rock flare. They’re definitely impressive; Tony and his band will leave the crowd wanting more after each show. The skill of each musician is incredible. The music is enticing, energetic, and it’s damn near impossible to listen to and keep a desire to stay in your seat. Tony Holiday is a rising figure in the national harmonica scene, receiving props from such harmonica legends as Lazy Lester, Adam Gussow, Walking Cane Mark, and Ronnie Shellist. His reputation in the blues community has landed him an endorsement from Shaker Harmonica Mics, which he promotes all over the country. Though harmonica is his strong point, Tony also plays guitar with a southern blues style that compliments his harp wonderfully. He switches seamlessly from harmonica to guitar and back, often in the same song. Dave “Rico” Iden is the driving force on drums that propels The Velvetones night after night. After countless stops on the road, Dave knows what it takes to provide the backbone of a great rhythm section, and how to produce the beat that will get everyone out on the dance floor. His energy is what really makes Tony Holiday and The Velvetones such an exciting experience. Adam “The Kid” Fifield does the job of two people in The Velvetones, playing bass and keys at the same time. His left hand lays down the thumping bass lines that get your feet tapping. He breaks out in screaming organ solos with his right hand, keeping the bass going the whole time. Together with Dave “Rico” Iden, Adam completes the rhythm section that is the perfect foundation for Tony Holiday’s guitar and harmonica. –Examiner.com– ”Holiday is highly regarded in the music community; he has been playing music circuits, but on any given night you can find him playing in bars, sitting in or watching local artists.” –Salt Lake City Weekly– They love their local SLC music scene, and at home and on the road they have shared the stage with Legendary Shorty Gilbert,Guitar Shorty,Tinsley Ellis, Charlie Daniels Band, Eric Mcfadden, Jerry Joseph, Timmi Cruz, Soulive’s Alan Evans, The Band of Heathens, Floater, Marinade,Rev. Payton’s Big Damn Band, Stonefed, and so many more.
Christone “Kingfish” Ingram was born to Princess Pride Ingram and Christopher Ingram in 1999. Exposed to the rich Gospel music emanating from his family’s church, combined with the Blues he heard being played by musicians in his Delta neighborhood, also learning at the Delta Blues Museum under the tutelage of Daddy Rich and Bill Howl – N – Madd Perry and being a cousin to the great and legendary Country music singer, Charlie Pride, Kingfish became a natural sponge of musical talent. At the tender age of 6, Kingfish began playing the drums. Three years later at the age of 9, he took up the bass guitar. At the age of 11, he began playing lead guitar. By the age of 14, he had mastered all three instruments and has added vocals to his ever growing list of talents. Kingfish’s guitar influences run the gamut of the Blues from the Delta Blues of Robert Johnson, Elmore James, Muddy Waters, and Lightnin’ Hopkins to the electric Blues of B.B. King, Albert King, Big Jack Johnson, Albert Collins, Freddie King, Lefty Dizz, Lucky Peterson, Little Jimmy King and Buddy Guy to the Blues Rock of Lance Lopez, Joe Bonamassa, Eric Gales, Stevie Ray Vaughn, The Allman Brothers, Jonny Lang, Steve Marriott, Prince, Michael Burks and so many others. Surprisingly at such a young age, he can play just like his idols and mentors and possesses the additional ability to create a Blues sound entirely his own. It is refreshing to see a young person return to his musical roots and master a genre of music that was created and was popular even before his grandparents’ generation and renew its popularity by breathing new life into the music. Kingfish has shared the stage with household names such as Bob Margolin and Guitar Shorty and has played festivals and venues all over the southern region. He’s even opened for Buddy Guy! Even though he’s from the Delta, surrounded by all of its plantations and and he travels Highway 49 and Highway 61 on a regular basis, unlike many of his musical predecessors from Mississippi, Kingfish never had to pick cotton or sell his soul to the devil at the infamous Crossroads. Yet, this child prodigy’s soul is possessed with the feeling, passion and fire of the much older men who created the most important genre of American music, the Blues. Kingfish is a living phenomenon, soon destined to be a living legend!!!
Founding member, lead singer, and bass player of Kansas City blues-rock band Trampled Under Foot, Danielle Nicole stepped out on her own in 2015 with her debut album “Wolf Den.” In 2018, Nicole returns with a follow-up release via Concord Records. “I grew up playing the blues, and the blues is still a big part of what I do. But now I’m reaching out more and trying different things. It still sounds like me, but I’m stretching out a lot more than I have previously.” Nicole’s distinctive, inventive bass work—which resulted in her becoming the first woman to win the Blues Foundation’s 2014 Blues Music Award for Best Instrumentalist, Bass—is the product of years of intensive roadwork. Although she had no experience with the instrument when she became Trampled Under Foot’s bassist, now she can’t imagine life without it. “When I started doing my solo thing,” she continues, “someone asked me if I was gonna hire a bass player. No, of course not! I originally picked up the bass to keep Trampled Under Foot a family band, but I really fell in love with it. It was a huge challenge, and it still is. But I really love being part of the groove and getting to sing on top of that. I had learned some stuff on acoustic guitar before I started playing bass, but I never really felt connected to it the way I do with the bass. It’s empowering, walking onto a stage full of grown men who can play their asses off, and it’s ‘OK, I’m gonna play this bass, we’re gonna do this, and it’s gonna rock.'” Rounding out her band are longtime Danielle Nicole Band guitarist and multi-instrumentalist Brandon Miller, and drummer Rodd Bland, son of blues legend Bobby “Blue” Bland, who earned his chops playing in his dad’s band and later with BB King. “I think that it’s a good time for the kind of thing I’m doing,” she states. “From my years of playing blues festivals, I’ve seen that younger and younger audiences are getting into the blues. I think that people want to hear authentic music again.”
Rick Estrin & the Nightcats with Kid Anderson Rick Estrin jazz2 “Estrin has created some of the finest blues songs of any artist on the planet. His carefully wrought lyrics penetrate human weakness with the precision of a boxer, though more often than not, he chooses to leave you laughing after the blow’s been struck.” – Blues Revue According to The San Francisco Chronicle, “is an amazing harmonica player, a soulful lead vocalist and a brilliant songwriter.” The award-winning musician, another critic said, “sounds like Little Walter playing and singing Leiber and Stoller.” Along with The Nightcats- jaw-dropping guitarist Chris “Kid” Andersen, singing drummer (who plays standing up) J. Hansen and dynamic multi-instrumentalist Lorenzo Farrell (electric and acoustic bass, organ and piano)-Rick Estrin serves up fresh and modern original blues injected with a solid dose of gritty roadhouse rock ‘n’ roll. Since the 2009 release of their celebrated Alligator Records debut, Twisted, the band has toured non-stop, honing their creative synergy to a razor’s edge. Night after night, the band blazes their own innovative musical path while still remaining true to the blues. The results of all of this natural chemistry can be heard on their irresistible new album, One Wrong Turn. Read More >> Kid Andersen (lead guitar) kid_newChris “Kid” Andersen was born in Telemark, Norway in 1980. A blues fan since childhood, Andersen fell in love with the music of Otis Rush, Buddy Guy, Junior Watson, and the Kings (B.B., Albert and Freddie). By the time he was 18, he was backing all the American blues stars who came through Norway, including Homesick James, Nappy Brown and Willie “Big Eyes” Smith. He moved to California at age 21, eventually earning himself a green card as an “Alien of Extraordinary Ability.” Andersen released four solo albums before joining blues harmonica legend Charlie Musselwhite’s band in 2004, a gig that lasted until he joined Rick Estrin & The Nightcats. J. Hansen (drums, vocals) J. Hansen is the only singing, songwriting, standing drummer in the blues. Born in Joliet, Illinois, he began drumming on pots, pans and coffee cans at a very early age. He moved to California in 1984 and began studying the drums seriously, playing his first gig at age 13. Hansen began his musical career playing traditional jazz with multi-instrumentalist Clint Baker, which eventually led to performing and recording with legendary New Orleans banjo player Narvin Kimball (Preservation Hall Jazz Band). While studying music in college, Hansen began working in local Bay Area blues bands. He started his own R&B/funk band, Verso, which featured his singing and songwriting. He later toured internationally and recorded with the popular San Francisco swing band Steve Lucky and the Rhumba Bums before joining the Nightcats in 2002. He released a solo album of original material, Give The Drummer Some, in 2009. In 2011 Hansen began playing his drums standing up. Lorenzo Farrell (organ, acoustic and electric bass) Lorenzo Farrell was born in Lexington, Kentucky, and grew up in Bloomington, Indiana, where he started playing piano at age five. During his high school years in California, he discovered jazz and made the switch to upright acoustic bass. After high school, Farrell took several years off from his music career to earn a degree in Philosophy from the University of California at Berkeley, and study religion in Delhi, India. Since returning to the San Francisco Bay Area, he has been a highly sought-after multi-instrumentalist, having returned to piano and mastered organ in recent years. A Nightcat since 2003, Lorenzo has also had the opportunity to perform and/or record with many other artists, including Collective Amnesia, the Contemporary Jazz Orchestra, Noora Noor, Terry Hanck, and Steve Lucky and the Rhumba Bums.
L.A. based, Belgrade born guitar-player and singer ANA POPOVIC is back on the road promoting her new triple album TRILOGY – Her most ambitious project yet. With TRILOGY Ana releases three albums in one! Twenty-three funk, rock/blues and jazz tunes produced by Grammy Award winner Warren Riker (Lauryn Hill, Carlos Santana), Grammy Award winner Tom Hambridge (Buddy Guy) and Delfeayo Marsalis,one of the top trombonists, composers and producers in jazz today. Guest appearances include Joe Bonamassa, Robert Randolph and many others. The only female guitarist part of the ‘all-star’ Experience Hendrix 2014 – ’17 line-up about the release: “In an era where most are skeptic about the current state and future of the music industry, I wanted TRILOGY to tell a different story. The record biz might be broken and Spotify might rip us off, but that can’t keep an artist down. Creativity is very much alive, and music is the celebration of life.” Ana, born in Serbia (formerly Yugoslavia), grew up in a family where music was very important. All throughout her youth, her father would invite friends over for nightly jam sessions. In this atmosphere, she quickly learned her father’s impressive blues and soul record collection, grabbed his guitar and started playing at the age of fifteen. Since then, Ana has developed into an phenomenal guitarist/vocalist with a growing legion of fans throughout the world. Ana and her powerful band are tirelessly touring, playing major blues, jazz and rock festivals. She is endorsed by Fender, D’Angelico, Jim Dunlop and DR strings. Ana has shared headlining stages with B.B. King, Buddy Guy, Joe Bonamassa, Gary Clark Jr. and many others. She’s nominated for six Blues Music Awards, appeared on the cover of Vintage Guitar and Guitar Player magazine. Her albums Can You Stand The Heat (2013) and Unconditional (2011) where Pick-Of-The-Week by USA Today and featured on NPR Music. Nearly all of Ana’s albums made it the Top 5 of the Billboard Blues Charts and are being played regularly on US radio. “Ana Popovic is one helluva a guitar-player.” – Bruce Springsteen “Ana rocks the blues in fine, fine fashion.“ – Billy Gibbons (ZZ Top)
Whether she’s belting out a raucous blues-rocker, firing up a blistering soul-shouter, bringing the spirit to a gospel-fueled R&B rave-up or digging deep down into a subtle, country-tinged ballad, Shemekia Copeland sounds like no one else. With a voice that is alternately sultry, assertive and roaring, Shemekia’s wide-open vision of contemporary blues, roots and soul music showcases the evolution of a passionate artist with a modern musical and lyrical approach. The Chicago Tribune says Copeland delivers “gale force singing and power” with a “unique, gutsy style, vibrant emotional palette and intuitive grasp of the music.” NPR Music calls her “fiercely expressive.” Copeland’s return to Alligator Records with Outskirts Of Love (she recorded four albums for the label from 1998 through 2006) finds her at her most charismatic, performing roots rock, Americana, and blues with power and authority, nuance and shading. Produced by The Wood Brothers’ Oliver Wood, Outskirts Of Love is a musical tour-de-force, with Copeland rocking out on the title track, taking charge in Crossbone Beach, honoring her father, the late Johnny Clyde Copeland with her Afrobeat-infused take on his Devil’s Hand, tackling homelessness on Cardboard Boxand showing off her country swagger on Drivin’ Out Of Nashville. She puts her stamp on songs made famous by Solomon Burke (I Feel A Sin Coming On), Jesse Winchester (Isn’t That So), Sonny Terry and Brownie McGhee (The Battle Is Over), Creedence Clearwater Revival (Long As I Can See The Light), ZZ Top (Jesus Just Left Chicago), Albert King (Wrapped Up In Love Again), and Jessie Mae Hemphill (Lord, Help The Poor And Needy). Friends including Billy F Gibbons, Robert Randolph, Alvin Youngblood Hart, Will Kimbrough and Pete Finney all add their talent with unbridled enthusiasm. The result is the most decidedly contemporary and musically adventurous album of Copeland’s still-evolving career. Shemekia Copeland was born in Harlem, New York on April 10, 1979, and came to her singing career naturally. Her bluesman father recognized his daughter’s talent early on. He always encouraged her to sing at home and even brought her on stage to sing at Harlem’s famed Cotton Club when she was just eight. At that time Shemekia’s embarrassment outweighed her desire to sing. But when she was 15, and her father’s health began to slow him down, she received the calling. “It was like a switch went off in my head,” recalls Shemekia, “and I wanted to sing. It became a want and a need. I had to do it. Shemekia and her dad, Johnny Clyde Copeland © Family Archive Shemekia and her father, Johnny Clyde Copeland © Family Archive At 16, Shemekia joined her father on his tours after he was diagnosed with a degenerative heart condition. Soon enough Shemekia was opening, and sometimes even stealing, her father’s shows. “She grabbed the crowd with her powerful voice, poised and intense,” raved Blues Revue at the time. Eventually, though, it became clear to Shemekia who was helping whom. “Dad wanted me to think I was helping him out by opening his shows when he was sick, but really he was doing it all for me. He would go out and do gigs so I would get known. He went out of his way to get me that exposure,” recalls Shemekia. Shemekia stepped out of her father’s shadow in 1998 with her groundbreaking debut CD, Turn The Heat Up, recorded when she was only 18. Critics from around the world celebrated her music as fans of all ages agreed that an unstoppable new talent had arrived. News outlets fromThe New York Times to CNN took note of Copeland’s talent, engaging personality, and true star power. “Nothing short of uncanny,” wrote the Village Voice. “She roars with a sizzling hot intensity,” added The Boston Globe. Copeland followed up with 2000’s Grammy-nominated Wicked, 2002’s Talking To Strangers(produced by Dr. John) and 2005’s The Soul Truth (produced by Steve Cropper). In that short period of time, she earned eight Blues Music Awards, a host of Living Blues Awards (including the prestigious 2010 Blues Artist Of The Year) and more accolades from fans, critics and fellow musicians. Two highly successful releases on Telarc, including 2012’s Grammy-nominated 33 1/3, cemented her reputation as a singer who, according to NPR’s All Things Considered, “embodies the blues with her powerful vocal chops and fearless look at social issues.”USA Today says, “Copeland is a singer with fervor and funk, power and range.” Copeland has performed thousands of gigs at clubs, festivals and concert halls all over the world and has appeared on national television, NPR, and in newspapers, films and magazines. She is a mainstay on countless commercial and non-commercial radio stations. She has sung with Eric Clapton, Bonnie Raitt, B.B. King, Buddy Guy, Mick Jagger, Keith Richards, Carlos Santana, James Cotton and many others. She opened for The Rolling Stones and entertained U.S. troops in Iraq and Kuwait. Jeff Beck calls her “f*cking amazing.” Santana says, “She’s incandescent…a diamond.” At the 2011 Chicago Blues Festival, the City of Chicago and the State of Illinois officially declared Copeland to be “The New Queen Of The Blues.” In 2012, she performed at the White House for President and Mrs. Obama. Afterward, Jagger, with whom she sang, sent her a bottle of champagne. With Outskirts Of Love and a packed tour schedule, Copeland has her eyes fixed firmly on the future as she continues to break new musical ground. “I want to keep growing, to be innovative,” she says. “I’m a lifer, singing about things that bother me, using my music to help people. My dad always said ‘we’re all connected.’ I’m an old soul marching to the beat of my own drum,” she continues. “And right now I’m making the most exciting music of my career.”
UBS Blues Youth ShowcaseGallivan Stage12:00 pm - 12:40 pm
SARAH DEGRAW & TONY HOLIDAYMain Stage12:55 pm - 1:50 pm
CHRISTONE "KINGFISH" INGRAMMain Stage2:05 pm - 3:20 pm
DANIELLE NICOLEMain Stage3:35 pm - 4:50 pm
RICK ESTRIN & THE NIGHTCATS (FT. KID ANDERSEN)Main Stage5:10 pm - 6:30 pm
ANA POPOVIC (W/ Horns)Main Stage6:50 pm - 8:10 pm
SHEMEKIA COPELANDMain Stage8:30 pm - 10:00 pm